![]() Subseries VI.B: General Subject and Artist Files, 1926-1978 Series VI: Subject Interest and Research Files, 1920-1978 Series V: Lectures, Speeches, and Eulogies, 1924-1969 Subseries IV.B: Other Publications, 1918-1984 Subseries IV.A: Modern Painters Series, 1945-1955 Series III: Exhibitions and Catalogues, 1934-1986 Subseries II.D: Defending Modern Art, 1940-1970 Subseries II.C: "Chronicles": Painting and Sculpture in The Museum of Modern Art, 1929-1977 Subseries II.A: Administrative Files, Press Releases, and Press Clippings, 1918-1989 Subseries I.C: Personal Correspondence, 1913-1989 Subseries I.B: Professional Correspondence Transferred from the Margaret Scolari Barr Papers, 1929-1986 Subseries I.A: General Correspondence, 1913-1989 ![]() The Papers are organized into seventeen series: Specific series arrangement, researchers should refer to the Scope and Content note and individual series abstracts. That files within certain series are arranged neither entirely alphabetically nor chronologically. Original order, most file runs from the collection's initial processing remain in place. However, in the interest of adhering to the archival principle of Which should enable enhanced web-based keyword searching. Most idiosyncratic language and outdated departmental shorthand has been removed and replaced, Many folder titles and descriptions have also been edited and updated to moreĪccurately reflect their contents. Regarding series arrangement, which has been restructured to reflect a more logical organizational scheme and to improve theĪccessibility of the collection's contents. This project led to some substantial changes in the collection's arrangement-particularly To ensure that it met current professional standards and accurately reflected the collection's contents. Incorporating this new material offered MoMA Archives the opportunity to reevaluate the entire collection's preexisting arrangement, ![]() Material, which required processing and integration into the collection before it could be made available to researchers. In subsequent years, MoMA Archives acquired additional ![]() Papers were initially processed in the 1980s. A substantial amount of the documents andĮphemera found in the collection pertain to the subjects of modern and abstract art generally to artistic movements suchĪs Cubism and Futurism and to individual artists, in particular Pablo Picasso, Henri Matisse, and Lyonel Feininger. Historians, critics, magazine editors, artists, and collectors, as well as personal correspondence with family and friends.įiles also cover MoMA staff, exhibitions, publications, lectures, and collections. Included are professional correspondence with Museum officials, curators, art Of this prominent life and career in the arts. Composed of materialsįrom Barr's childhood and school years through his retirement from the Museum, the papers provide a comprehensive picture The collectionĭocuments the establishment of the Museum, its early years, and the rise to prominence of modern art in the United Statesĭuring the twentieth century as such, it is one of the most important collections in MoMA Archives. Papers encompass the personal and professional papers of MoMA's founding director. In 2016 the collection was reprocessedĪnd the finding aid rewritten by Elena Cordova.īarr, Alfred H., Jr. ![]() © 2016 The Museum of Modern Art Archives The original processing and finding aid were prepared by Rona Roob and others in the 1980s. Papers was generously funded by the Contemporary Arts Council of The 2016 reprocessing project of the Alfred H. Papersin The Museum of Modern Art Archives Barr ![]()
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